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Gaslight Sonatas by Fannie Hurst
page 4 of 307 (01%)
damp bathing-suit, donned at dawn.

The only picture--or call it atavism if you will--which adorned Miss
Slayback's dun-colored walls was a passe-partout snowscape, night closing
in, and pink cottage windows peering out from under eaves. She could
visualize that interior as if she had only to turn the frame for the smell
of wood fire and the snap of pine logs and for the scene of two high-back
chairs and the wooden crib between.

What a fragile, gracile thing is the mind that can leap thus from nine
bargain basement hours of hairpins and darning-balls to the downy business
of lining a crib in Never-Never Land and warming No Man's slippers before
the fire of imagination.

There was that picture so acidly etched into Miss Slayback's brain that she
had only to close her eyes in the slit-like sanctity of her room and in the
brief moment of courting sleep feel the pink penumbra of her vision begin
to glow.

Of late years, or, more specifically, for two years and eight months,
another picture had invaded, even superseded the old. A stamp-photograph
likeness of Mr. James P. Batch in the corner of Miss Slayback's mirror,
and thereafter No Man's slippers became number eight-and-a-half C, and the
hearth a gilded radiator in a dining-living-room somewhere between the
Fourteenth Street Subway and the land of the Bronx.

How Miss Slayback, by habit not gregarious, met Mr. Batch is of no
consequence, except to those snug ones of us to whom an introduction is the
only means to such an end.

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