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Against the Grain by J.-K. (Joris-Karl) Huysmans
page 2 of 225 (00%)

Chapter 1


The Floressas Des Esseintes, to judge by the various portraits
preserved in the Chateau de Lourps, had originally been a family of
stalwart troopers and stern cavalry men. Closely arrayed, side by
side, in the old frames which their broad shoulders filled, they
startled one with the fixed gaze of their eyes, their fierce
moustaches and the chests whose deep curves filled the enormous shells
of their cuirasses.

These were the ancestors. There were no portraits of their descendants
and a wide breach existed in the series of the faces of this race.
Only one painting served as a link to connect the past and present--a
crafty, mysterious head with haggard and gaunt features, cheekbones
punctuated with a comma of paint, the hair overspread with pearls, a
painted neck rising stiffly from the fluted ruff.

In this representation of one of the most intimate friends of the Duc
d'Epernon and the Marquis d'O, the ravages of a sluggish and
impoverished constitution were already noticeable.

It was obvious that the decadence of this family had followed an
unvarying course. The effemination of the males had continued with
quickened tempo. As if to conclude the work of long years, the Des
Esseintes had intermarried for two centuries, using up, in such
consanguineous unions, such strength as remained.

There was only one living scion of this family which had once been so
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