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The Renaissance of the Vocal Art by Edmund Myer
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kind things said of my former works by my friends, my pupils, the critic
and the profession, thanks! To those who have understood and appreciated
the principles laid down in my last book, "Position and Action in Singing,"
I will say that this little work will be an additional help. To my readers
in general, who may not have fully understood or appreciated the principles
of vitality, of vitalized energy, aroused and developed through the
movements set forth in my last book, to such I will say that I hope this
little work will make clearer those principles. I hope that it may lead
them to a better understanding of the fundamental principles of the system,
principles which are founded upon natural laws and common sense. In this
work I have endeavored to logically formulate my system.

As it is not possible to fully study and develop any one fundamental
principle of singing without some understanding or mastery of all others,
so it is not possible to write a work like this without more or less
repetition. Certain subjects are so closely related, are so interdependent,
that repetition cannot be avoided. I am not offering an apology for this; I
am simply stating that a certain amount of repetition is necessary.




CONTENTS.


PREFACE
EXORDIUM


PART FIRST.
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