which he felt were closely allied and supplemental, and a glance at
his ideals and their evolution at Peterboro.

Most of his compositions are written around some poetic idea and are
so suggestive and appealing to the imagination that in studying them
the native poetic fancy is easily aroused; but the full effect is lost
to the casual hearer who is not familiar with the theme. The
accompanying poems are interpretations of some of his best-known piano
numbers, based upon the briefly indicated poetic idea upon which they
are founded, reinforced by a careful intellectual study of each
composition and its appeal to the individual creative faculty of the
author.

The sonnet to MacDowell was written at the beginning of the two
darkened years preceding his death, when he forgot that there was such
a thing as music.

"A.D. 1620" and "Song" are from the "Sea Pieces." The former describes
the sailing of the galleon bearing the Pilgrim Fathers to America. The
"Song," which is distinctly Irish in its melody, seems to me to be
sung by a lad on board the galleon, who sings and whistles to keep up
the courage of his fellow-pilgrims, thereby forgetting his own pain.

The "Shadow Dance" is written three notes to two, and this difficult
musical form is represented by the three shadows dancing before two
people. "A Deserted Farm" is a lyric description of the now beautiful
"Hill Crest" as he found it. "The Spirit Call" is suggested by the
Celtic vein of mystery and haunting sadness pervading most of the
MacDowell music.