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The Exiles by Honoré de Balzac
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strand, the municipality had constructed a sort of break-water of
masonry, which may still be seen on some old plans of Paris, and which
preserved the piles of the landing-place by meeting the rush of water
and ice at the upper end of the Island. The constable had taken
advantage of this for the foundation of his house, so that there were
several steps up to his door.

Like all the houses of that date, this cottage was crowned by a peaked
roof, forming a gable-end to the front, or half a diamond. To the
great regret of historians, but two or three examples of such roofs
survive in Paris. A round opening gave light to a loft, where the
constable's wife dried the linen of the Chapter, for she had the honor
of washing for the Cathedral--which was certainly not a bad customer.
On the first floor were two rooms, let to lodgers at a rent, one year
with another, of forty sous _Parisis_ each, an exorbitant sum, that
was however justified by the luxury Tirechair had lavished on their
adornment. Flanders tapestry hung on the walls, and a large bed with a
top valance of green serge, like a peasant's bed, was amply furnished
with mattresses, and covered with good sheets of fine linen. Each room
had a stove called a _chauffe-doux_; the floor, carefully polished by
Dame Tirechair's apprentices, shone like the woodwork of a shrine.
Instead of stools, the lodgers had deep chairs of carved walnut, the
spoils probably of some raided castle. Two chests with pewter
mouldings, and tables on twisted legs, completed the fittings, worthy
of the most fastidious knights-banneret whom business might bring to
Paris.

The windows of those two rooms looked out on the river. From one you
could only see the shores of the Seine, and the three barren islands,
of which two were subsequently joined together to form the Ile
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