fineness in him, to escape when he can from that blank stone house,
with so little to interest, and that homely old man and woman. The
rudeness of his home has turned his feeling for even the simpler
graces of life into a physical want, like hunger or thirst, which
might come to greed; and methinks he perhaps overvalues these things.
Still, made as he is, his hard fate in that rude place must needs
touch one. And then, he profits by the experience of [8] my father,
who has much knowledge in matters of art beyond his own art of
sculpture; and Antony is not unwelcome to him. In these last rainy
weeks especially, when he can't sketch out of doors, when the wind
only half dries the pavement before another torrent comes, and people
stay at home, and the only sound from without is the creaking of a
restless shutter on its hinges, or the march across the Place of
those weary soldiers, coming and going so interminably, one hardly
knows whether to or from battle with the English and the Austrians,
from victory or defeat:--Well! he has become like one of our family.
"He will go far!" my father declares. He would go far, in the
literal sense, if he might--to Paris, to Rome. It must be admitted
that our Valenciennes is a quiet, nay! a sleepy place; sleepier than
ever since it became French, and ceased to be so near the frontier.
The grass is growing deep on our old ramparts, and it is pleasant to
walk there--to walk there and muse; pleasant for a tame, unambitious
soul such as mine.

December 1702.

Antony Watteau left us for Paris this morning. It came upon us quite
suddenly. They amuse themselves in Paris. A scene-painter we have
here, well known in Flanders, has been engaged to work in one of the
Parisian play-houses; and young Watteau, of whom he had some slight