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A Portrait of the Artist as a Young Man by James Joyce
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had pretended not to see that she was going to cry. She was a nice
mother but she was not so nice when she cried. And his father had given
him two five-shilling pieces for pocket money. And his father had told
him if he wanted anything to write home to him and, whatever he did,
never to peach on a fellow. Then at the door of the castle the rector
had shaken hands with his father and mother, his soutane fluttering in
the breeze, and the car had driven off with his father and mother on
it. They had cried to him from the car, waving their hands:

--Goodbye, Stephen, goodbye!

--Goodbye, Stephen, goodbye!

He was caught in the whirl of a scrimmage and, fearful of the flashing
eyes and muddy boots, bent down to look through the legs. The fellows
were struggling and groaning and their legs were rubbing and kicking
and stamping. Then Jack Lawton's yellow boots dodged out the ball and
all the other boots and legs ran after. He ran after them a little way
and then stopped. It was useless to run on. Soon they would be going
home for the holidays. After supper in the study hall he would change
the number pasted up inside his desk from seventy-seven to seventy-six.

It would be better to be in the study hall than out there in the cold.
The sky was pale and cold but there were lights in the castle. He
wondered from which window Hamilton Rowan had thrown his hat on the
ha-ha and had there been flowerbeds at that time under the windows. One
day when he had been called to the castle the butler had shown him the
marks of the soldiers' slugs in the wood of the door and had given him
a piece of shortbread that the community ate. It was nice and warm to
see the lights in the castle. It was like something in a book. Perhaps
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