interest in it, is so recent and strong; and my mind is so divided
between pleasure and regret - pleasure in the achievement of a long
design, regret in the separation from many companions - that I am
in danger of wearying the reader whom I love, with personal
confidences, and private emotions.

Besides which, all that I could say of the Story, to any purpose,
I have endeavoured to say in it.

It would concern the reader little, perhaps, to know, how
sorrowfully the pen is laid down at the close of a two-years'
imaginative task; or how an Author feels as if he were dismissing
some portion of himself into the shadowy world, when a crowd of the
creatures of his brain are going from him for ever. Yet, I have
nothing else to tell; unless, indeed, I were to confess (which
might be of less moment still) that no one can ever believe this
Narrative, in the reading, more than I have believed it in the
writing.

Instead of looking back, therefore, I will look forward. I cannot
close this Volume more agreeably to myself, than with a hopeful
glance towards the time when I shall again put forth my two green
leaves once a month, and with a faithful remembrance of the genial
sun and showers that have fallen on these leaves of David
Copperfield, and made me happy.
London, October, 1850.


PREFACE TO
THE CHARLES DICKENS EDITION