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Wagner's "Tristan und Isolde"; an essay on the Wagnerian drama by George Ainslie Hight
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XI. OBSERVATIONS ON THE TEXT AND MUSIC

XII. OBSERVATIONS ON THE TEXT AND MUSIC
CONTINUED

XIII. OBSERVATIONS ON THE TEXT AND MUSIC
CONTINUED

XIV. CONCLUSION

APPENDIX



[Greek: Theohus d' ephame eleountas aemas sugchoreutas te kahi
choraegohus aemin dedo-ke'nai to'n te Ap'ollo-a kahi Mousas
kahi dhae kahi tri'ton ephamen, ei' memnaemetha, Dionuson.]




CHAPTER I

ON WAGNER CRITICISM


A new work on Wagner requires some justification. It might be urged
that, since the _Meister_ has been dead for some decades and the
violence of party feeling may be assumed to have somewhat abated, we
are now in a position to form a sober estimate of his work, to review
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