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Southern Lights and Shadows by Unknown
page 2 of 207 (00%)

Sarah Barnwell Elliott
AN INCIDENT

M.E.M. Davis
A SNIPE HUNT

J.J. Eakins
THE COURTSHIP OF COLONEL BILL

Maurice Thompson
THE BALANCE OF POWER




Introduction

The most noticeable characteristic of the extraordinary literary
development of the South since the Civil War is that it is almost entirely
in the direction of realism. A people who, up to that time, had been so
romantic that they wished to naturalize among themselves the ideals and
usages of the Walter Scott ages of chivalry, suddenly dropped all that, and
in their search for literary material could apparently find nothing so good
as the facts of their native life. The more "commonplace" these facts the
better they seemed to like them. Evidently they believed that there was a
poetry under the rude outside of their mountaineers, their slattern country
wives, their shy rustic men and maids, their grotesque humorists, their
wild religionists, even their black freedmen, which was worth more than the
poetastery of the romantic fiction of their fathers. In this strong faith,
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