He should read the novels of Richter, Thackeray, Dickens, Scott, Eliot,
and Victor Hugo. He should know intimately the great verse which
involves spiritual problems, and human strife and aspiration,--Milton,
Beówulf, Caedmon, Chaucer, Shakespeare, Spenser, ballads, sagas, the
Arthur-Saga, the Nibelungenlied, Wordsworth, Coleridge, Keats, Herbert,
Tennyson, Browning, Dante and Christina Rossetti, Whittier, Lowell,
Longfellow, to say nothing of Goethe, Corneille, and the Greek, Roman,
Persian, Egyptian, Hindu, and Arabian verse.

In music his heart should wake to the beauty of oratorios, symphonies,
chorals, concert music, national and military music, and inspiring
songs, not to speak of hymns and of anthems, the progress of Christian
song! The _Creation_, the _Messiah_, the _Redemption_, Bach's _Passion
Music_, the _St. Cecilia Mass_, Spohr's _Judgment_, Stainer's
_Resurrection_, the _Twelfth Mass_, Mendelssohn's _Elijah_,--these are
monumental works and themes.

What is a hymn? We think of it as being some simple churchly words, set
to a serious tune. A hymn is the rhythmic aspiration of the race. No one
can look through a good hymnal--through _Hymns Ancient and Modern_, for
instance, or the Church Hymnary--without feeling that therein is bound
up the devotional life of the world. The spiritual outlook is cosmic.
Our every mood of penitence, praise, and aspiration resounds in
melodious and time-defying strains.

In art, the religious spirit broods over the great work of the world. In
Angelo, Francesca, Veronese, Botticelli, Titian, Raphael, Tintoretto,
and Correggio, the brush of the painter has set forth the adoration of
the Church of God.