I remembered it; it was a small picture, about a foot and a half high,
and nearly square, without a frame; but it was so blackened by age that
I could not make it out.

The artist now produced it, with evident pride. It was quite beautiful;
it was startling; it seemed to live. It was the effigy of Carmilla!

"Carmilla, dear, here is an absolute miracle. Here you are, living,
smiling, ready to speak, in this picture. Isn't it beautiful, Papa? And
see, even the little mole on her throat."

My father laughed, and said "Certainly it is a wonderful likeness," but
he looked away, and to my surprise seemed but little struck by it, and
went on talking to the picture cleaner, who was also something of an
artist, and discoursed with intelligence about the portraits or other
works, which his art had just brought into light and color, while I was
more and more lost in wonder the more I looked at the picture.

"Will you let me hang this picture in my room, papa?" I asked.

"Certainly, dear," said he, smiling, "I'm very glad you think it so
like. It must be prettier even than I thought it, if it is."

The young lady did not acknowledge this pretty speech, did not seem to
hear it. She was leaning back in her seat, her fine eyes under their
long lashes gazing on me in contemplation, and she smiled in a kind
of rapture.

"And now you can read quite plainly the name that is written in the
corner. It is not Marcia; it looks as if it was done in gold. The name