Gaslight Sonatas by Fannie Hurst
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page 7 of 307 (02%)
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rear, and the third floor back.
Standing there, this eager tide of the Fourteenth Street Emporium, thus released by the six-o'clock flood-gates, flowed past Miss Slayback. White-nosed, low-chested girls in short-vamp shoes and no-carat gold vanity-cases. Older men resigned that ambition could be flayed by a yard-stick; young men still impatient of their clerkship. It was into the trickle of these last that Miss Slayback bored her glance, the darting, eager glance of hot eyeballs and inner trembling. She was not so pathetically young as she was pathetically blond, a treacherous, ready-to-fade kind of blondness that one day, now that she had found that very morning her first gray hair, would leave her ashy. Suddenly, with a small catch of breath that was audible in her throat, Miss Slayback stepped out of that doorway, squirming her way across the tight congestion of the sidewalk to its curb, then in and out, brushing this elbow and that shoulder, worming her way in an absolutely supreme anxiety to keep in view a brown derby hat bobbing right briskly along with the crowd, a greenish-black bit of feather upright in its band. At Broadway, Fourteenth Street cuts quite a caper, deploying out into Union Square, an island of park, beginning to be succulent at the first false feint of spring, rising as it were from a sea of asphalt. Across this park Miss Slayback worked her rather frenzied way, breaking into a run when the derby threatened to sink into the confusion of a hundred others, and finally learning to keep its course by the faint but distinguishing fact of a slight dent in the crown. At Broadway, some blocks before that highway bursts into its famous flare, Mr. Batch, than whom it was no other, turned off suddenly at right angles down into a dim pocket of side-street and into |
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