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The Divine Office by Rev. E. J. Quigley
page 138 of 263 (52%)
(c) From Low Sunday till Ascension Thursday, on Pentecost Sunday and its
octave, all hymns end in _Deo Patri sit gloria, Et Filio qui a mortuis_.

This is the ending for all hymns of saints' feasts in Paschal times,
excepting those hymns mentioned above.

(d) From Ascension to Pentecost (except in the hymn _Salutis humanae
Sator_) the doxology is _Jesu tibi sit gloria, Qui victor in
coelum redis_.

(e) Feast of Transfiguration has _Jesu, tibi sit gloria, Qui te revelas
parvulis_.

In all other hymns the doxology is read as it is printed in the
Breviary.

_Antiphons_. Antiphon, coming from Greek words meaning a re-echoing of
the sound, is a chant performed alternately by two choirs, and was used
in pagan drama, long before the Christian era. At what date it was
introduced into Church liturgy it is difficult to determine. Some say it
was introduced by St. Ignatius, second Bishop of Antioch. It is certain
that it was used by bishops and priests to attract, retain and teach the
faithful during the Arian heresy. In church music, the lector ceased to
recite the psalm as a solo and the faithful divided into two choirs,
united in the refrain _Gloria Patri_.

With us, the antiphon generally is a verse or verses from Scripture,
recited before and after each psalm. "The verse which serves as the
antiphon text contains the fundamental thought of the psalm to which it
is sung and indicates the point of view from which it is to be
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