said. You see, he was afraid his hogs might take cholera and so he wanted
to get rid of them; and as for the saddle, he had sold his riding-horse
and he didn't have any more use for that. Well, it isn't a valuable clock,
like a grandfather clock or anything of that sort, though it is antique.
As I was saying, when I glanced at it, it read seven minutes to six. I
remember the time very well, for just then the factory whistle blew and I
remember saying to myself: "It's seven minutes slow today." You see, it's
old and we don't keep it oiled, and so it's always losing time. Hardly a
day passes but I set it up--sometimes twice a day, as for the matter of
that--and I usually go by the factory whistle too, though now and then I
go by Dwight's gold watch. Well, anyhow, that tells me what time it was.
I'm certain I can't be wrong.

2. Study, on the other hand, The Castaway (Appendix 5) for its judicious
use of details. Defoe in his stories is a supreme master of verisimilitude
(likeness to truth). As we read him, we cannot help believing that these
things actually happened. More than in anything else the secret of his
lifelikeness lies in his constant faithfulness to reality. He puts in the
little mishaps that would have befallen a man so situated, the things he
would have done, the difficulties he might have avoided had he exercised
forethought. Though Defoe had little insight into the complexities of
man's inner life, he has not been surpassed in his accumulations of
naturalistic outer details. These do not cumber his narrative; they
contribute to its purpose and add to its effectiveness. In this selection
(Appendix 5) observe how plausible are such homely details as Crusoe's
seeing no sign of his comrades "except three of their hats, one cap, and
two shoes that were not fellows"; as his difficulty in getting aboard the
ship again; and as his having his clothes washed away by the rising of the
tide. Find half a dozen other such incidents that You consider especially
effective.