thus misplaced.

Very soon after the gift, a priest, who desired not to be named _on
account of his great humility_, had a vision at noonday, in which the
beautiful virgin with the beautiful name appeared to him and revealed to
him that she had suffered death rather than yield her chastity to the will
of the Emperor, who desired to make her his wife. Thereupon a young
artist, whose name is also suppressed, likewise had a vision of St.
Filomena, who told him that the emperor was Diocletian; but as history
stands somewhat opposed to this statement, it has been suggested that the
artist mistook the name, and that the Saint said Maximian. However this
may be, the day of her martyrdom was fixed on the 10th of August, 303. Her
relics were carried to Naples with great reverence; they were inclosed,
after the Neapolitan fashion, in a wooden doll of the size of life,
dressed in a white satin skirt and a red tunic, with a garland of flowers
on its head, and a lily and a dart in its hand. This doll, with the red-
lettered tiles, was soon transferred to its place in the church of
Mugnano, a small town not far from Naples. Many miracles were wrought on
the way, and many have since been wrought in the church itself. The fame
of the virgin spread through Italy, and chapels were dedicated to her
honor in many distant churches; from Italy it reached Germany and France,
and it has even crossed the Atlantic to America. Thus a new saint, a new
story, and a new exhibition of credulity had their rise not long ago from
a grave and three words in the catacombs.

One of the first differences which are obvious, in comparing the Christian
with the heathen mortuary inscriptions, is the introduction in the former
of some new words, expressive of the new ideas that prevailed among them.
Thus, in place of the old formula which had been in most common use upon
gravestones, D.M., or, in Greek, [Greek: TH.K.], standing for _Dis