When they had both become recognized powers, neither appreciated the work
of the other. A few years after this date Byron wrote of Wordsworth, to a
common admirer of both: "I take leave to differ from you as freely as I
once agreed with you. His performances, since the _Lyrical Ballads_, are
miserably inadequate to the ability that lurks within him. There is,
undoubtedly, much natural talent spilt over the _Excursion_; but it is
rain upon rocks, where it stands and stagnates; or rain upon sand, where
it falls without fertilizing." This criticism with others in like strain,
was addressed to Mr. Leigh Hunt, to whom, in 1812, when enduring for
radicalism's sake a very comfortable incarceration, Byron had, in company
with Moore, paid a courteous visit.

Of the correspondence of this period--flippant, trenchant, or
sparkling--few portions are more calculated to excite a smile than the
record of his frequent resolutions made, reasseverated, and broken, to
have done with literature; even going the length on some occasions of
threatening to suppress his works, and, if possible, recall the existing
copies. He affected being a man of the world unmercifully, and had a real
delight in clever companions who assumed the same rôle. Frequent allusion
is made to his intercourse with Erskine and Sheridan: the latter he is
never tired of praising, as "the author of the best modern comedy (_School
for Scandal_), the best farce (_The Critic_), and the best oration (the
famous Begum speech) ever heard in this country." They spent many an
evening together, and probably cracked many a bottle. It is Byron who
tells the story of Sheridan being found in a gutter in a sadly incapable
state; and, on some one asking "Who is this?" stammering out
"Wilberforce." On one occasion he speaks of coming out of a tavern with
the dramatist, when they both found the staircase in a very cork-screw
condition: and elsewhere, of encountering a Mr. C----, who "had no notion
of meeting with a bon-vivant in a scribbler," and summed the poet's eulogy