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Byron by John Nichol
page 92 of 221 (41%)
And thrust herself between him and the light.

Here we have faint visions of Miss Chaworth, mingling with later memories.
In handing the bride into the carriage he said, "Miss Milbanke, are you
ready?"--a mistake said to be of evil omen. Byron never really loved his
wife; and though he has been absurdly accused of marrying for revenge, we
must suspect that he married in part for a settlement. On the other hand,
it is not unfair to say that she was fascinated by a name, and inspired by
the philanthropic zeal of reforming a literary Corsair. Both were
disappointed. Miss Milbanke's fortune was mainly settled on herself; and
Byron, in spite of plentiful resolutions gave little sign of reformation.
For a considerable time their life, which, after the "treacle moon," as
the bridegroom called it, spent at Halnaby, near Darlington, was divided
between residence at Seaham and visits to London, seemed to move smoothly.
In a letter, evidently mis-dated the 15th December, Mrs. Leigh writes to
Hodgson: "I have every reason to think that my beloved B. is very happy
and comfortable. I hear constantly from him and _his rib_. It appears to
me that Lady B. sets about making him happy in the right way. I had many
fears. Thank God that they do not appear likely to be realized. In short,
there seems to me to be but one drawback to all our felicity, and that,
alas, is the disposal of dear Newstead. I never shall feel reconciled to
the loss of that sacred revered Abbey. The thought makes me more
melancholy than perhaps the loss of an inanimate object ought to do. Did
you ever hear that _landed property_, the GIFT OF THE CROWN, could not be
sold? Lady B. writes me word that she never saw her father and mother so
happy; that she believes the latter would go to the bottom of the sea
herself to find fish for B.'s dinner, &c." Augusta Ada was born in London
on the 10th of December, 1815. During the next months a few cynical
mutterings are the only interruptions to an ominous silence; but these
could be easily explained by the increasing embarrassment of the poet's
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