With British Guns in Italy - A Tribute to Italian Achievement by Hugh Dalton
page 49 of 248 (19%)
page 49 of 248 (19%)
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swept past him. The Austrian, who was flying high, gradually seemed to
lose his head and hesitate in what direction to fly, then he began to turn over and over, recovered for a moment, but finally lost all control and came down nose first into his own trenches, just across the river. Another evening, about ten o'clock, a whole squadron of Austrian planes came over, flying in regular formation and signalling to one another with Morse lamps. They were going, it appeared, to bomb Gradisca. They were heavily shelled by the "archies" as they came over us, and several fragments of shell fell on our terrace. The night sky was full of starry shell-bursts, and a dozen of our searchlights fussily got busy. Then suddenly all our artillery, as it seemed, began to go off, and for about five minutes there was a deafening burst of fire from guns of all calibres. And then all grew suddenly quiet again. Perhaps it was a raid, perhaps only the fear of one. One day an Italian plane dropped some booklets into the Austrian trenches, and some were blown back into our own lines. They contained photographs of Austrian prisoners of war in Italian camps, very contented apparently, and explanations in German, Magyar and various Slav tongues, showing "men who yesterday were living from hour to hour in peril of death, now waiting happily and calmly in perfect safety for the war to end, when they shall return to their homes to embrace once more their wives and little children. Here you will be able to recognise many of your friends." A good propaganda to induce desertions and surrenders! The Italians generally had the mastery over the Austrians in the air. Their machines, and especially their Capronis, could always be distinguished from the Austrians' by the deeper hum of their engines. Venosta had a gramophone, which played most evenings after dinner on the terrace, chiefly marches and martial music and Italian opera. Italy's |
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