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The Folk-lore of Plants by T. F. Thiselton (Thomas Firminger Thiselton) Dyer
page 100 of 300 (33%)
festivals. In Sweden, for instance, "if on Midsummer night nine kinds of
flowers are laid under the head, a youth or maiden will dream of his or
her sweetheart."[3] Hence in these simple and rustic love-charms may be
traced similar beliefs as prevail among rude communities.

Again, among many of the American Indian tribes we find, according to
Mr. Dorman,[4] "a mythical tree or vine, which has a sacredness
connected with it of peculiar significance, forming a connecting-link
and medium of communication between the world of the living and the
dead. It is generally used by the spirit as a ladder to pass downward
and upward upon; the Ojibways having possessed one of these vines, the
upper end of which was twined round a star." He further adds that many
traditions are told of attempts to climb these heavenly ladders; and,
"if a young man has been much favoured with dreams, and the people
believe he has the art of looking into futurity, the path is open to the
highest honours. The future prophet puts down his dreams in pictographs,
and when he has a collection of these, if they prove true in any
respect, then this record of his revelations is appealed to as proof of
his prophetic power." But, without enumerating further instances of
these savage dream-traditions, which are closely allied with the
animistic theories of primitive culture, we would turn to those plants
which modern European folk-lore has connected with dreamland. These are
somewhat extensive, but a brief survey of some of the most important
ones will suffice to indicate their general significance.

Firstly, to dream of white flowers has been supposed to prognosticate
death; with which may be compared the popular belief that "if a white
rosebush puts forth unexpectedly, it is a sign of death to the nearest
house;" dream-omens in many cases reflecting the superstitions of daily
life. In Scotch ballads the birch is associated with the dead, an
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