to the illumination of the individual spirit which contemplates the
eternity of spirit as the universal substance.

Shelley raises in his poem a very marked contrast between the death of
Adonais (Keats) as a mortal man succumbing to 'the common fate,' and the
immortality of his spirit as a vital immaterial essence surviving the
death of the body: he uses terms such as might be adopted by any
believer in the doctrine of 'the immortality of the soul,' in the
ordinary sense of that phrase. It would not however be safe to infer
that Shelley, at the precise time when he wrote _Adonais_, was really in
a more definite frame of mind on this theme than at other periods of his
life, or of a radically different conviction. As a fact, his feelings on
the great problems of immortality were acute, his opinions regarding
them vague and unsettled. He certainly was not an adherent of the
typical belief on this subject; the belief that a man on this earth is a
combination of body and soul, in a state--his sole state--of
'probation'; that, when the body dies and decays, the soul continues to
be the same absolute individual identity; and that it passes into a
condition of eternal and irreversible happiness or misery, according to
the faith entertained or the deeds done in the body. His belief amounted
more nearly to this: That a human soul is a portion of the Universal
Soul, subjected, during its connexion with the body, to all the
illusions, the dreams and nightmares, of sense; and that, after the
death of the body, it continues to be a portion of the Universal Soul,
liberated, from those illusions, and subsisting in some condition which
the human reason is not capable of defining as a state either of
personal consciousness or of absorption. And, so far as the human being
exercised, during the earthly life, the authentic functions of soul,
that same exercise of function continues to be the permanent record of
the soul in the world of mind. If any reader thinks that this seems a