Home-Life of the Lancashire Factory Folk during the Cotton Famine by Edwin Waugh
page 145 of 202 (71%)
page 145 of 202 (71%)
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The females, especially the younger ones, generally walk behind, blushing and hiding themselves as much as possible. I have seen the men sometimes walk backwards, with their faces towards those who were advancing, as if ashamed of what they were doing. And thus they went wailing through the busy streets, whilst the listening crowd looks on them pityingly and wonderingly, as if they were so many hungry shepherds from the mountains of Calabria. This flood of strange minstrels partly drowned the slang melodies and the monotonous strains of ordinary street musicians for a while. The professional gleeman "paled his ineffectual fire" before these mournful songsters. I think there never was so much sacred music heard upon the streets of Manchester before. With the exception of a favourite glee now and then, their music consisted chiefly of fine psalm tunes--often plaintive old strains, known and welcome to all, because they awaken tender and elevating remembrances of life. "Burton," "French," "Kilmarnock," "Luther's Hymn," the grand "Old Hundred," and many other fine tunes of similar character, have floated daily in the air of our city, for months together. I am sure that this choice does not arise from the minstrels themselves having craft enough to select "a mournful muse, soft pity to infuse." It is the kind of music which has been the practice and pleasure of their lives, and it is a fortuitous thing that now, in addition to its natural plaintiveness, the sad necessity of the times lends a tender accompaniment to their simplest melody. I doubt very much whether Leech's minor tunes were ever heard upon our streets till lately. Leech was a working man, born near the hills, in Lancashire; and his anthems and psalm tunes are great favourites among the musical population, especially in the country districts. Leech's harp was tuned by the genius of sorrow. Several times lately I have heard the |
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