There had been rain, and that spasmodic walk of his was enhanced by the
extreme slipperiness of the footpath. Exactly as he came against the sun
he stopped, pulled out a watch, hesitated. Then with a sort of convulsive
gesture he turned and retreated with every manifestation of haste, no
longer gesticulating, but going with ample strides that showed the
relatively large size of his feet--they were, I remember, grotesquely
exaggerated in size by adhesive clay--to the best possible advantage.

This occurred on the first day of my sojourn, when my play-writing energy
was at its height and I regarded the incident simply as an annoying
distraction--the waste of five minutes. I returned to my scenario. But
when next evening the apparition was repeated with remarkable precision,
and again the next evening, and indeed every evening when rain was not
falling, concentration upon the scenario became a considerable effort.
"Confound the man," I said, "one would think he was learning to be a
marionette!" and for several evenings I cursed him pretty heartily. Then
my annoyance gave way to amazement and curiosity. Why on earth should a
man do this thing? On the fourteenth evening I could stand it no longer,
and so soon as he appeared I opened the french window, crossed the
verandah, and directed myself to the point where he invariably stopped.

He had his watch out as I came up to him. He had a chubby, rubicund face
with reddish brown eyes--previously I had seen him only against the
light. "One moment, sir," said I as he turned. He stared. "One moment,"
he said, "certainly. Or if you wish to speak to me for longer, and it is
not asking too much--your moment is up--would it trouble you to
accompany me?"

"Not in the least," said I, placing myself beside him.