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The Atlantic Monthly, Volume 01, No. 2, December, 1857 by Various
page 18 of 289 (06%)
mildewed rubbish. He had as much vigor and audacity as Ghirlandaio,
with more grace and freshness of invention. He has, however, nothing
of his dramatic power. His genius is rather idyllic and
romantic. Although some of the figures in these Medici palace frescos
are thought to be family portraits, still they hardly seem very
lifelike. The subjects selected are a Nativity, and an Adoration of
the Magi. In the neighborhood of the window is a choir of angels
singing Hosanna, full of freshness and vernal grace. The long
procession of kings riding to pay their homage, "with tedious pomp and
rich retinue long," has given the artist an opportunity of exhibiting
more power in perspective and fore-shortening than one could expect at
that epoch. There are mules and horses, caparisoned and bedizened;
some led by grinning blackamoors, others ridden by showy kings,
effulgent in brocade, glittering spurs, and gleaming cuirasses. Here
are horsemen travelling straight towards the spectator,--there, a
group, in an exactly opposite direction, is forcing its way into the
picture,--while hunters with hound and horn are pursuing the stag on
the neighboring hills, and idle spectators stand around, gaping and
dazzled; all drawn with a free and accurate pencil, and colored with
much brilliancy;--a triumphant and masterly composition, hidden in a
dark corner of what has now become a great dusty building, filled with
public offices.


XI.

FIESOLE.

Here sits on her hill the weird old Etrurian nurse of Florence,
withered, superannuated, feeble, warming her palsied limbs in the sun,
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