Rhetoric and Poetry in the Renaissance - A Study of Rhetorical Terms in English Renaissance Literary Criticism by Donald Lemen Clark
page 28 of 193 (14%)
page 28 of 193 (14%)
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as it could, what was its subject matter? Aristotle, following Plato,[46]
says in his definition "any subject," for any subject can be made persuasive. But this was too philosophical for his contemporaries and successors, who saw in their own environment that in practice rhetoric was almost entirely concerned with persuading a jury that certain things were or were not so, or persuading a deliberative assembly that this or that should or should not be done. Consequently Hermagoras defines the subject matter of rhetoric as "public questions," Dionysius of Halicarnassus, as "communal affairs," and the _Ad Herennium_ as "whatever in customs or laws is to the public benefit."[47] The same influence caused Cicero in his youthful _De inventione_ to classify rhetoric as part of political science,[48] and in the _De oratore_ to make Antonius restrict rhetoric to public and communal affairs,[49] although in another section he returns to Aristotle's "any subject" as the material of rhetoric[50] as does Quintilian later.[51] Although Aristotle did state in his definition that any subject was the material of rhetoric, in his classification of the varieties of speeches he practically restricts rhetoric as did Hermagoras, Dionysius, and the _Ad Herennium_; for here he finds but three kinds of oratory: the deliberative, the forensic, and the occasional, á¼ÏιδεικÏικÏÏ. Forensic oratory he defines as that of the law court; deliberative, of the senate or public assembly; and occasional, of eulogy and congratulation. Perhaps the most illustrative modern examples of the third would be Fourth-of-July addresses, funeral sermons, and appreciative articles or lectures. Aristotle suggests that exaggeration is most appropriate to the style of occasional oratory; for as the facts are taken for granted, it remains only to invest them with grandeur and dignity.[52] Occasional oratory seems to have given no little concern to the classical |
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