Rhetoric and Poetry in the Renaissance - A Study of Rhetorical Terms in English Renaissance Literary Criticism by Donald Lemen Clark
page 51 of 193 (26%)
page 51 of 193 (26%)
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thus in substantial agreement that rhetoric was honeyed speech exhibited
at its best in the works of the poets. The best example of this view of rhetoric is furnished by Stephen Hawes in his delectable educational allegory of the seven liberal arts which he calls _The Pastime of Pleasure_ (1506). He begins, of course, with an apology for Thys lytle boke, opprest wyth rudenes Without rethorycke or coloure crafty; Nothinge I am experte in poetry As the monke of Bury, floure of eloquence.[131] And in another place, again addressing Lydgate, he exclaims: O mayster Lydgate, the most dulcet sprynge Of famous rethoryke, wyth balade ryall.[132] The poem records the experiences of Grande Amour, who, accompanied by two greyhounds, seeks knowledge. After visiting Grammar and Logic in their rooms, he goes upstairs to see Dame Rhetoric. Rhetoric sits in a chamber gaily glorified and strewn with flowers. She is very large, finely gowned and garlanded with laurel. About her are mirrors and the fragrant fumes of incense. Grande Amour asks her to paint his tongue with the royal flowers of delicate odors, that he may gladden his auditors and "moralize his literal senses." She pretends to understand him, but when he asks her what rhetoric is, Rethoryke, she sayde, was founde by reason Man for to governe wel and prudently; |
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