yo'n strikes in, Jasper, it gwine to kill you sho'. If you b'longed to
me, I'd sell you down de river 'fo' you git too fur gone. Fust time I
runs acrost yo' marster, I's gwine to tell him so."

This idle and aimless jabber went on and on, both parties enjoying the
friendly duel and each well satisfied with his own share of the wit
exchanged--for wit they considered it.

Wilson stepped to the window to observe the combatants; he could not work
while their chatter continued. Over in the vacant lots was Jasper,
young, coal black, and of magnificent build, sitting on a wheelbarrow in
the pelting sun--at work, supposably, whereas he was in fact only
preparing for it by taking an hour's rest before beginning. In front of
Wilson's porch stood Roxy, with a local handmade baby wagon, in which sat
her two charges--one at each end and facing each other. From Roxy's
manner of speech, a stranger would have expected her to be black, but she
was not. Only one sixteenth of her was black, and that sixteenth did not
show. She was of majestic form and stature, her attitudes were imposing
and statuesque, and her gestures and movements distinguished by a noble
and stately grace. Her complexion was very fair, with the rosy glow of
vigorous health in her cheeks, her face was full of character and
expression, her eyes were brown and liquid, and she had a heavy suit of
fine soft hair which was also brown, but the fact was not apparent
because her head was bound about with a checkered handkerchief and the
hair was concealed under it. Her face was shapely, intelligent, and
comely--even beautiful. She had an easy, independent carriage--when she
was among her own caste--and a high and "sassy" way, withal; but of
course she was meek and humble enough where white people were.

To all intents and purposes Roxy was as white as anybody, but the one