The scene of this chronicle is the town of Dawson's Landing, on the
Missouri side of the Mississippi, half a day's journey, per steamboat,
below St. Louis.

In 1830 it was a snug collection of modest one- and two-story frame
dwellings, whose whitewashed exteriors were almost concealed from sight
by climbing tangles of rose vines, honeysuckles, and morning glories.
Each of these pretty homes had a garden in front fenced with white
palings and opulently stocked with hollyhocks, marigolds, touch-me-nots,
prince's-feathers, and other old-fashioned flowers; while on the
windowsills of the houses stood wooden boxes containing moss rose plants
and terra-cotta pots in which grew a breed of geranium whose spread of
intensely red blossoms accented the prevailing pink tint of the rose-clad
house-front like an explosion of flame. When there was room on the ledge
outside of the pots and boxes for a cat, the cat was there--in sunny
weather--stretched at full length, asleep and blissful, with her furry
belly to the sun and a paw curved over her nose. Then that house was
complete, and its contentment and peace were made manifest to the world
by this symbol, whose testimony is infallible. A home without a cat--and
a well-fed, well-petted, and properly revered cat--may be a perfect
home, perhaps, but how can it prove title?

All along the streets, on both sides, at the outer edge of the brick
sidewalks, stood locust trees with trunks protected by wooden boxing, and
these furnished shade for summer and a sweet fragrancer in spring, when
the clusters of buds came forth. The main street, one block back from
the river, and running parallel with it, was the sole business street.
It was six blocks long, and in each block two or three brick stores,
three stories high, towered above interjected bunches of little frame