Enraged Musician becomes my paradise.

I have sat at an Oratorio (that profanation of the purposes of the
cheerful playhouse) watching the faces of the auditory in the pit
(what a contrast to Hogarth's Laughing Audience!) immoveable, or
affecting some faint emotion,--till (as some have said, that our
occupations in the next world will be but a shadow of what delighted
us in this) I have imagined myself in some cold Theatre in Hades,
where some of the _forms_ of the earthly one should be kept up, with
none of the _enjoyment_; or like that--

--Party in a parlour,
All silent, and all DAMNED!

Above all, those insufferable concertos, and pieces of music, as
they are called, do plague and embitter my apprehension.--Words are
something; but to be exposed to an endless battery of mere sounds; to
be long a dying, to lie stretched upon a rack of roses; to keep up
languor by unintermitted effort; to pile honey upon sugar, and sugar
upon honey, to an interminable tedious sweetness; to fill up sound
with feeling, and strain ideas to keep pace with it; to gaze on empty
frames, and be forced to make the pictures for yourself; to read a
book, _all stops_, and be obliged to supply the verbal matter; to
invent extempore tragedies to answer to the vague gestures of an
inexplicable rambling mime--these are faint shadows of what I have
undergone from a series of the ablest-executed pieces of this empty
_instrumental music_.

I deny not, that in the opening of a concert, I have experienced
something vastly lulling and agreeable:--afterwards followeth the