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The Creative Process in the Individual by Thomas Troward
page 33 of 111 (29%)
from the cosmic one. This is where the importance of realizing only ONE
Originating Power instead of two interacting powers comes in, for it means
that we do not derive our power from any existing polarity, but that we are
going to establish polarities which will start secondary causation on the
lines which we thus determine. This also is where the importance comes in
of recognizing that the only possible originating movement of spirit must
be Self-contemplation, for this shows us that we do not have to contemplate
existing conditions but the Divine Ideal, and that this contemplation of
the Divine Ideal of Man is the Self-contemplation of the Spirit from the
standpoint of Human Individuality.

Then the question arises, if these principles are true, why are we not
demonstrating them? Well, when our fundamental principle is obviously
correct and yet we do not get the proper results, the only inference is
that somewhere or other we have introduced something antagonistic to the
fundamental principle, something not inherent in the principle itself and
which therefore owes its presence to some action of our own. Now the error
consists in the belief that the Creative Power is limited by the material
in which it works. If this be assumed, then you have to calculate the
resistances offered by the material; and since by the terms of the Creative
Process these resistances do not really exist, you have no basis of
calculation at all--in fact you have no means of knowing where you are, and
everything is in confusion. This is why it is so important to remember that
the Creative Process is the action of a Single Power, and that the
interaction of two opposite polarities comes in at a later stage, and is
not creative, but only distributive--that is to say, it localizes the
Energy already proceeding from the Single Power. This is a fundamental
truth which should never be lost sight of. So long, however, as we fail to
see this truth we necessarily limit the Creative Power by the material it
works in, and in practise we do this by referring to past experience as the
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