Sketches of the East Africa Campaign by Robert Valentine Dolbey
page 110 of 138 (79%)
page 110 of 138 (79%)
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There is no libel more grossly unfair than that which says the birds of
Africa have no song. The yellow weaver birds sing most beautifully, as they fly from the feathery tops of the avenue of coconut palms that line the road to the clump of bamboos behind the hospital. But they fly there no longer now, for our colonel, in a spasm of sanitation, cut down this graceful swaying clump of striped bamboos for the fear that they harboured mosquitoes. As if these few canes mattered, when our hospital was on the banks of the reed-fringed river. Morning songsters with voices of English thrushes and robins wake one to gaze upon the dawn through one's mosquito net. Small bird voices, like the chiff-chaff in May, carry on the chorus until the sun rises. Then the bird of delirium arrives and runs up the scale to a high monotonous note that would drive one mad, were it not that he and the dove, with his amphoric note, are Africa all over. A neat fawn-coloured bird this, with a long tail and dark markings on his wings. Then as the sun rises and the early morning heat dries up the song birds' voices, the earth and the life of the palm trees drowse in the sunshine. But at night, from late afternoon to three in the morning, when the life of trees and grasses and ponds ceases for a short while before it begins again at dawn, the air is full of the busy voices of the insect world. Until we came south to Morogoro, to the land of mangoes, coconut, palms, bamboos, we had known the shrill voice of cicadas and the harsh metallic noises of crickets in grass and trees. But here we made two new acquaintances, and charming little voices they had too. One lived in the grass and rose leaves of our garden, for the German blacksmith who lately occupied our hospital building had planted his garden with |
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