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The Bravo by James Fenimore Cooper
page 23 of 543 (04%)
The edifice which caused this hesitation in the two gondoliers was one
of those residences at Venice, which are quite as remarkable for their
external riches and ornaments as for their singular situation amid the
waters. A massive rustic basement of marble was seated as solidly in the
element as if it grew from a living rock, while story was seemingly
raised on story, in the wanton observance of the most capricious rules
of meretricious architecture, until the pile reached an altitude that is
little known, except in the dwellings of princes. Colonnades,
medallions, and massive cornices overhung the canal, as if the art of
man had taken pride in loading the superstructure in a manner to mock
the unstable element which concealed its base. A flight of steps, on
which each gentle undulation produced by the passage of the barge washed
a wave, conducted to a vast vestibule, that answered many of the
purposes of a court. Two or three gondolas were moored near, but the
absence of their people showed they were for the use of those who dwelt
within. The boats were protected from rough collision with the passing
craft by piles driven obliquely into the bottom. Similar spars, with
painted and ornamented heads, that sometimes bore the colors and arms
of the proprietor, formed a sort of little haven for the gondolas of the
household, before the door of every dwelling of mark.

"Where is it the pleasure of your eccellenza to be rowed?" asked Gino,
when he found his sympathetic delay had produced no order.

"To the Palazzo."

Giorgio threw a glance of surprise back at his comrade, but the obedient
gondola shot by the gloomy, though rich abode, as if the little bark had
suddenly obeyed an inward impulse. In a moment more it whirled aside,
and the hollow sound, caused by the plash of water between high walls,
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