written after the Spanish Philip's Armada, but both King David and Sir
Philip Sidney were dead before God brake that archer's bow.[66] The
fourth line of the next stanza is a noteworthy instance of the sense
gathering to itself the sound, and is in lovely contrast with the closing
line of the same stanza.

One of the most remarkable specimens I know of the play with words of
which I have already spoken as common even in the serious writings of
this century, is to be found in the next line: "Where earth doth end with
endless ending." David, regarding the world as a flat disc, speaks of the
_ends_ of the earth: Sidney, knowing it to be a globe, uses the word of
the Psalmist, but re-moulds and changes the form of it, with a power
fantastic, almost capricious in its wilfulness, yet causing it to express
the fact with a marvel of precision. We _see_ that the earth ends; we
cannot reach the end we see; therefore the "earth doth end with endless
ending." It is a case of that contradiction in the form of the words
used, which brings out a truth in another plane as it were;--a paradox in
words, not in meaning, for the words can bear no meaning but the one
which reveals its own reality.

The following little psalm, _The Lord reigneth_, is a thunderous
organ-blast of praise. The repetition of words in the beginning of the
second stanza produces a remarkably fine effect.


PSALM XCIII.

Clothed with state, and girt with might,
Monarch-like Jehovah reigns;
He who earth's foundation pight-- _pitched._