The time occupied in this editorial work was extremely well employed in
respect to my own improvement. The _Rationale of Judicial Evidence_ is
one of the richest in matter of all Bentham's productions. The theory of
evidence being in itself one of the most important of his subjects, and
ramifying into most of the others, the book contains, very fully
developed, a great proportion of all his best thoughts: while, among
more special things, it comprises the most elaborate exposure of the
vices and defects of English law, as it then was, which is to be found
in his works; not confined to the law of evidence, but including, by way
of illustrative episode, the entire procedure or practice of Westminster
Hall. The direct knowledge, therefore, which I obtained from the book,
and which was imprinted upon me much more thoroughly than it could have
been by mere reading, was itself no small acquisition. But this
occupation did for me what might seem less to be expected; it gave a
great start to my powers of composition. Everything which I wrote
subsequently to this editorial employment, was markedly superior to
anything that I had written before it. Bentham's later style, as the
world knows, was heavy and cumbersome, from the excess of a good
quality, the love of precision, which made him introduce clause within
clause into the heart of every sentence, that the reader might receive
into his mind all the modifications and qualifications simultaneously
with the main proposition: and the habit grew on him until his sentences
became, to those not accustomed to them, most laborious reading. But his
earlier style, that of the _Fragment on Government, Plan of a Judicial
Establishment_, etc., is a model of liveliness and ease combined with
fulness of matter, scarcely ever surpassed: and of this earlier style
there were many striking specimens in the manuscripts on Evidence, all
of which I endeavoured to preserve. So long a course of this admirable
writing had a considerable effect upon my own; and I added to it by the
assiduous reading of other writers, both French and English, who