Style by Sir Walter Alexander Raleigh
page 54 of 81 (66%)
page 54 of 81 (66%)
|
Humour reveals it in its true dimensions by turning on it the light
of imagination and poetry. The perception of these incongruities, which are eternal, demands some expense of intellect; a cheaper amusement may be enjoyed by him who is content to take his stand on his own habits and prejudices and to laugh at all that does not square with them. This was the method of the age which, in the abysmal profound of waggery, engendered that portentous birth, the comic paper. Foreigners, it is said, do not laugh at the wit of these journals, and no wonder, for only a minute study of the customs and preoccupations of certain sections of English society could enable them to understand the point of view. From time to time one or another of the writers who are called upon for their weekly tale of jokes seems struggling upward to the free domain of Comedy; but in vain, his public holds him down, and compels him to laugh in chains. Some day, perchance, a literary historian, filled with the spirit of Cervantes or of Moliere, will give account of the Victorian era, and, not disdaining small things, will draw a picture of the society which inspired and controlled so resolute a jocularity. Then, at last, will the spirit of Comedy recognise that these were indeed what they claimed to be--comic papers. "The style is the man;" but the social and rhetorical influences adulterate and debase it, until not one man in a thousand achieves his birthright, or claims his second self. The fire of the soul burns all too feebly, and warms itself by the reflected heat from the society around it. We give back words of tepid greeting, without improvement. We talk to our fellows in the phrases we learn from them, which come to mean less and less as they grow worn with use. Then we exaggerate and distort, heaping epithet upon epithet in the endeavour to get a little warmth out of the |
|