We must not see your Face, nor heare your speech:
Now, while you Love forbid, you Love doe teach_."

I am inclined to think that the tragedy of _Nero_ was the first and last
attempt of some young student, steeped in classical learning and
attracted by the strange fascination of the _Annals_,--of one who,
failing to gain a hearing at first, never courted the breath of
popularity again; just as the author of _Joseph and his Brethren_, when
his noble poem fell still-born from the press, turned contemptuously
away and preserved thenceforward an unbroken silence. It should be
noticed that the 4to. of 1633 is not really a new edition; it is merely
the 4to. of 1624, with a new title-page. In a copy bearing the later
date I found a few unimportant differences of reading; but no student of
the Elizabethan drama needs to be reminded that _variae lectiones_ not
uncommonly occur in copies of the same edition. The words "newly written"
on the title-page are meant to distinguish the _Tragedy of Nero_ from
the wretched _Tragedy of Claudius Tiberius Nero_ published in 1607.

But now I will bring my remarks to a close. It has been at once a pride
and a pleasure to me to rescue this fine old play from undeserved
oblivion. There is but one living poet whose genius could treat worthily
the tragical story of Nero's life and death. In his three noble sonnets,
"The Emperor's Progress," Mr. Swinburne shows that he has pondered the
subject deeply: if ever he should give us a Tragedy of Nero, we may be
sure that one more deathless contribution would be added to our dramatic
literature.