Before a brownstone front that bore the number he sought, he paused a
moment, drew a deep breath and started to walk up the front steps. But
with a short laugh he came suddenly to a halt half-way up; looked over
the stone balustrade down at the other entrance below--the
tradesmen's--the butchers', the bakers', the candlestick makers'--and,
yes, the servants'--their way in!--his?

He went down the steps and walked on and away as a matter of course, but
once more stopped. He had done a good deal of going this way and that,
and then stopping, during the last few months. Things had to be worked
out, and sometimes his brain didn't seem to move very quickly.

To be worked out! He now surveyed the butchers' and the bakers' (and
yes, the servants') entrance with casual or philosophic interest from
the vantage point of the other side of the street. It wasn't different
from any other of the entrances of the kind but it held his gaze. Then
he walked across the street again and went in--or down. It didn't really
seem now such a bad kind of entrance when you came to investigate it, in
a high impersonal way; not half so bad as the subway, and people didn't
mind that.

Still Mr. Heatherbloom experienced a peculiar thrill when he put up his
thumb, pressed a button, and wondered what next would happen. Who
answered doors down here,--the maid--the cook--the laundress? He felt
himself to be very indistinct and vague standing there in the shadow,
and tried to assume a nonchalant bearing. He wondered just what bearing
_was_ proper under the circumstances; he cherished indistinct
recollections of having heard or read that the butcher's boy is usually
favored with a broadly defying and independent visage; that he comes in
whistling and goes forth swaggering. A cat-meat man he had once looked