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The Atlantic Monthly, Volume 02, No. 12, October, 1858 by Various
page 88 of 286 (30%)
The popularity of the legend of Faustus, although of German origin,
was, almost from its first rise, not confined to German lands. The
French, Dutch, and English versions of the poor Doctor's adventurous
life are but very little younger than his German biographies; and it
was about the same time that he was made the subject of a tragedy by
Marlowe, one of the most gifted of Shakspeare's dramatic predecessors.
We are not afraid of erring, when we ascribe the uncommon popularity
and rapid circulation of this legend principally to its deep and
intrinsic _moral_ interest. Faustus's time of action was exactly the
period of the great religious reformation which shook all Europe.
During the sixteenth century, even the untaught and illiterate classes
learned to watch more closely over the salvation of their souls than
when they felt themselves safe beneath the guardianship of the Holy
Mother Church. And to those who remained under the guidance of the
latter, the dangers of learning and independent thinking, and of
meddling with forbidden subjects, were pointed out by the monks with
two-fold zeal. It cannot, therefore, surprise us, that the life and
death of a famous contemporary, who for worldly goods and worldly
wisdom placed his soul at stake, excited a deep and general interest.
In one feature, indeed, his history bears decidedly the stamp of the
great moral revolution of the time: we mean its awful end. There are two
legends of the Middle Ages--and perhaps many more--in which the
fundamental ideas are the same. The two Saints, Cyprianus, (the "Magico
Prodigioso" of Calderon,) and Bishop Theophilus, (the hero of Conrad of
Würzburg,) were both tempted by the Devil with worldly goods and
worldly prosperity, and allured into the pool of sin perhaps deeper
than Faustus; but repentance and penitence saved them, and secured to
them finally a place among the saints of the Church. But for Faustus
there is no compromise; his awful compact is binding; and whatever hope
of his salvation modern poetry has excited for the unfortunate Doctor
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