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Pulpit and Press (6th Edition) by Mary Baker Eddy
page 26 of 90 (28%)
From this are the entrances leading to the auditorium, the "Mother's
room," and the directors' room.

The auditorium is seated with pews of curly birch, upholstered in old
rose plush. The floor is in white Italian mosaic, with frieze of the old
rose, and the wainscoting repeats the same tints. The base and cap are
of pink Tennessee marble. On the walls are bracketed oxidized silver
lamps of Roman design, and there are frequent illuminated texts from the
Bible and from Mrs. Eddy's SCIENCE AND HEALTH WITH KEY TO THE SCRIPTURES
impaneled. A sunburst in the centre of the ceiling takes the place of
chandeliers. There is a disc of cut glass in decorative designs covering
144 electric lights in the form of a star, which is twenty-one inches
from point to point, the centre being of pure white light, and each ray
under prisms which reflect the rainbow tints. The galleries are richly
paneled in relief work. The organ and choir gallery is spacious and rich
beyond the power of words to depict. The platform--corresponding to the
chancel of an Episcopal church--is a mosaic work, with richly carved
seats following the sweep of its curve, with a lamp stand of the
rennaissance period on either end, bearing six richly wrought oxidized
silver lamps, eight feet in height. The great organ comes from Detroit.
It is one of vast compass, with æolian attachment, and cost $11,000. It
is the gift of a single individual--a votive offering of gratitude for
the healing of the wife of the donor.

The chime of bells includes fifteen, of fine range and perfect tone.


THE "MOTHER'S ROOM."

The "Mother's room" is approached by an entrance of Italian marble, and
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