Jane tripped away obediently, her griefs assuaged by the mere telling of
them, and Esther passed into the house by way of the veranda. It was a
charming veranda, long and low, opening through French windows directly
into the living room which, like itself, was long and low, and charming.
There is a charm in rooms which can be felt but not described. It exists
apart from the furnishings and even the occupants; it is an essence,
haunting, intangible--the soul of the room! only there are many rooms
which have no soul.

Through the living room at the Elms vagrant breezes entered, loitered,
and drifted out again, leaving behind them scents of sun-warmed flowers.
The light there was soft and green. The comfortable chairs invited rest;
the polished rosewood table, the bright piano shining in the brightest
corner, the smooth old floor in whose rug the colours had long ceased to
trouble, the general air of much used comfort, satisfied and refreshed.

Esther loved the room. Her first childish memory was of the rosewood
table shining like a pool in the lamplight and of her own wondering face
reflected in it, with her father's laughing eyes behind. In every way it
was associated with the beginnings of things. The magic of all music
began for her in the sweet, thin notes of the old square piano; the key
to fairy land lay hidden somewhere in that shelf of well-worn books.

Yet to-night she entered with a hesitating step. It was obvious that she
felt no pleasure in the cool greenness. The room was the same room but
it was as if the expression on a well-known face had unaccountably
changed and become forbidding. The girl sighed as she flung her hat
upon a chair.