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The Rayner-Slade Amalgamation by J. S. (Joseph Smith) Fletcher
page 60 of 298 (20%)
getting good seats, especially as we're in morning dress."

Allerdyke smiled at that--in his opinion, money would carry a man
anywhere, and there was always plenty of that useful commodity in his
pockets. He insisted on buying the seats himself, and after some
parleying and explaining at the box-office, he and his companion were
duly escorted to seats immediately in front of a flower-decked platform,
where they were set down amidst a highly select company of correctly
attired folk, who glanced a little questioningly at their tweed suits,
both conspicuous amidst silks, satins, broadcloths, and glazed linen.
Allerdyke laughed as he thrust a program into Fullaway's hand.

"I worked that all right," he whispered. "Told the chap in that receipt
of custom that you were a foreigner of great distinction travelling
incognito in Scotland, and I your travelling companion, and that our
luggage hadn't arrived from Aberdeen, so we couldn't dress, but we must
hear this singing lady at all cost and in any case. Then I slapped down
the brass and got the tickets--naught like brass in ready form, my lad!
Now, then, when does the desired party appear?"

Fullaway unfolded his program and glanced over the items. The
Concert-Direction of Ernest Weiss was famous for the fare which it put
before its patrons, and here was certainly enough variety of talent to
please the most critical--a famous tenor, a popular violinist, a
contralto much in favour for her singing of tender and sentimental songs,
a notable performer on the violincello, a local vocalist whose speciality
was the singing of ancient Scottish melodies, and--item of vast interest
to a certain section of the audience--a youthful prodigy who was fondly
believed to have it in her power to become a female Paderewski. These
performers were duly announced on the program in terms of varying
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