A Golden Book of Venice by Mrs. Lawrence Turnbull
page 50 of 370 (13%)
page 50 of 370 (13%)
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Paolo Cagliari had not known what he would do until the old man's
suggestion seemed to make his vision less vaguely inaccessible, and before they reached the landing he had learned, by a judicious indifference which sharpened his companion's loquacity, that Messer Girolamo lived there alone with his daughter, who went about always with a bambino in her arms--the child of a dead sister. There could be no doubt; yet, to keep the old man talking, he put the question, "She is very beautiful, the donzella?" "Eccellenza"--with a pause and deprecatory movement of the shoulders--"_cosi_--so-so--a little pale--like a saint--devote. For the poor? Good, _gentile_, the donzel of Messer Girolamo. _Bella_, with rosy colors? _Non_!" With the Venetians there could be no sharp distinction between the decorative and the fine arts, as the fine arts were employed by them without limit in their sumptuous decorations; and that which elsewhere would have been merely decorative they raised, by exquisite quality and finish, to a point which deserved to be termed art, without qualifications. The Veronese, who had been knighted by the Doge, could scarcely go unrecognized to any art establishment in any quarter of Venice, and with unconcealed pleasure Girolamo bowed low before this master who had come to do him honor; displaying all that the initiated would hold most precious among his treasures--that design, faded and dim, almost unrecognizable, of those early mosaics of the Master Pietro--he held nothing back. It was a day of honor for his house, and the two were alone in his cabinet. |
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