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Three short works - The Dance of Death, the Legend of Saint Julian the Hospitaller, a Simple Soul. by Gustave Flaubert
page 19 of 100 (19%)
The stranger, becoming confident, would stop on his way and after
being ushered into the castle-hall, would display pieces of velvet
and silk, trinkets and strange objects whose use was unknown in
those parts. Then, in due time, he would take leave, without
having been molested and with a handsome profit.

At other times, a band of pilgrims would knock at the door. Their
wet garments would be hung in front of the hearth and after they
had been refreshed by food they would relate their travels, and
discuss the uncertainty of vessels on the high seas, their long
journeys across burning sands, the ferocity of the infidels, the
caves of Syria, the Manger and the Holy Sepulchre. They made
presents to the young heir of beautiful shells, which they carried
in their cloaks.

The lord of the manor very often feasted his brothers-at-arms, and
over the wine the old warriors would talk of battles and attacks,
of war-machines and of the frightful wounds they had received, so
that Julian, who was a listener, would scream with excitement;
then his father felt convinced that some day he would be a
conqueror. But in the evening, after the Angelus, when he passed
through the crowd of beggars who clustered about the church-door,
he distributed his alms with so much modesty and nobility that his
mother fully expected to see him become an archbishop in time.

His seat in the chapel was next to his parents, and no matter how
long the services lasted, he remained kneeling on his _prie-dieu,_
with folded hands and his velvet cap lying close beside him on the
floor.

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