Three short works - The Dance of Death, the Legend of Saint Julian the Hospitaller, a Simple Soul. by Gustave Flaubert
page 21 of 100 (21%)
page 21 of 100 (21%)
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He sprang after it, unmindful of the brambles, and ferreted around the bushes with the litheness of a young dog. The pigeon hung with broken wings in the branches of a privet hedge. The persistence of its life irritated the boy. He began to strangle it, and its convulsions made his heart beat quicker, and filled him with a wild, tumultuous voluptuousness, the last throb of its heart making him feel like fainting. At supper that night, his father declared that at his age a boy should begin to hunt; and he arose and brought forth an old writing-book which contained, in questions and answers, everything pertaining to the pastime. In it, a master showed a supposed pupil how to train dogs and falcons, lay traps, recognise a stag by its fumets, and a fox or a wolf by footprints. He also taught the best way of discovering their tracks, how to start them, where their refuges are usually to be found, what winds are the most favourable, and further enumerated the various cries, and the rules of the quarry. When Julian was able to recite all these things by heart, his father made up a pack of hounds for him. There were twenty-four greyhounds of Barbary, speedier than gazelles, but liable to get out of temper; seventeen couples of Breton dogs, great barkers, with broad chests and russet coats flecked with white. For wild-boar hunting and perilous doublings, there were forty boarhounds as hairy as bears. |
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