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Three short works - The Dance of Death, the Legend of Saint Julian the Hospitaller, a Simple Soul. by Gustave Flaubert
page 46 of 100 (46%)
nourished himself with roots and plants, stray fruits and shells
which he gathered along the shores.

Often, at the bend of a hill, he could perceive a mass of crowded
roofs, stone spires, bridges, towers and narrow streets, from
which arose a continual murmur of activity.

The desire to mingle with men impelled him to enter the city. But
the gross and beastly expression of their faces, the noise of
their industries and the indifference of their remarks, chilled
his very heart. On holidays, when the cathedral bells rang out at
daybreak and filled the people's hearts with gladness, he watched
the inhabitants coming out of their dwellings, the dancers in the
public squares, the fountains of ale, the damask hangings spread
before the houses of princes; and then, when night came, he would
peer through the windows at the long tables where families
gathered and where grandparents held little children on their
knees; then sobs would rise in his throat and he would turn away
and go back to his haunts.

He gazed with yearning at the colts in the pastures, the birds in
their nests, the insects on the flowers; but they all fled from
him at his approach and hid or flew away. So he sought solitude.
But the wind brought to his ears sounds resembling death-rattles;
the tears of the dew reminded him of heavier drops, and every
evening, the sun would spread blood in the sky, and every night,
in his dreams, he lived over his parricide.

He made himself a hair-cloth lined with iron spikes. On his knees,
he ascended every hill that was crowned with a chapel. But the
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