Three short works - The Dance of Death, the Legend of Saint Julian the Hospitaller, a Simple Soul. by Gustave Flaubert
page 82 of 100 (82%)
page 82 of 100 (82%)
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Once she came in from the garden, all upset. A moment before (and she showed the place), the father and daughter had appeared to her, one after the other; they did nothing but look at her. During several months she remained inert in her room. Félicité scolded her gently; she must keep up for her son and also for the other one, for "her memory." "Her memory!" replied Madame Aubain, as if she were just awakening, "Oh! yes, yes, you do not forget her!" This was an allusion to the cemetery where she had been expressly forbidden to go. But Félicité went there every day. At four o'clock exactly, she would go through the town, climb the hill, open the gate and arrive at Virginia's tomb. It was a small column of pink marble with a flat stone at its base, and it was surrounded by a little plot enclosed by chains. The flower-beds were bright with blossoms. Félicité watered their leaves, renewed the gravel, and knelt on the ground in order to till the earth properly. When Madame Aubain was able to visit the cemetery she felt very much relieved and consoled. Years passed, all alike and marked by no other events than the return of the great church holidays: Easter, Assumption, All Saints' Day. Household happenings constituted the only data to which in later years they often referred. Thus, in 1825, workmen painted the vestibule; in 1827, a portion of the roof almost killed a man by falling into the yard. In the summer of 1828, it |
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