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Three short works - The Dance of Death, the Legend of Saint Julian the Hospitaller, a Simple Soul. by Gustave Flaubert
page 82 of 100 (82%)

Once she came in from the garden, all upset. A moment before (and
she showed the place), the father and daughter had appeared to
her, one after the other; they did nothing but look at her.

During several months she remained inert in her room. Félicité
scolded her gently; she must keep up for her son and also for the
other one, for "her memory."

"Her memory!" replied Madame Aubain, as if she were just
awakening, "Oh! yes, yes, you do not forget her!" This was an
allusion to the cemetery where she had been expressly forbidden to
go.

But Félicité went there every day. At four o'clock exactly, she
would go through the town, climb the hill, open the gate and
arrive at Virginia's tomb. It was a small column of pink marble
with a flat stone at its base, and it was surrounded by a little
plot enclosed by chains. The flower-beds were bright with
blossoms. Félicité watered their leaves, renewed the gravel, and
knelt on the ground in order to till the earth properly. When
Madame Aubain was able to visit the cemetery she felt very much
relieved and consoled.

Years passed, all alike and marked by no other events than the
return of the great church holidays: Easter, Assumption, All
Saints' Day. Household happenings constituted the only data to
which in later years they often referred. Thus, in 1825, workmen
painted the vestibule; in 1827, a portion of the roof almost
killed a man by falling into the yard. In the summer of 1828, it
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