build six towers as high as myself with them, and there seemed quite
enough for every engineering project I could undertake. I could
build whole towns with streets and houses and churches and citadels;
I could bridge every gap in the oilcloth and make causeways over
crumpled spaces (which I feigned to be morasses), and on a keel of
whole bricks it was possible to construct ships to push over the
high seas to the remotest port in the room. And a disciplined
population, that rose at last by sedulous begging on birthdays and
all convenient occasions to well over two hundred, of lead sailors
and soldiers, horse, foot and artillery, inhabited this world.

Justice has never been done to bricks and soldiers by those who
write about toys. The praises of the toy theatre have been a common
theme for essayists, the planning of the scenes, the painting and
cutting out of the caste, penny plain twopence coloured, the stink
and glory of the performance and the final conflagration. I had
such a theatre once, but I never loved it nor hoped for much from
it; my bricks and soldiers were my perpetual drama. I recall an
incessant variety of interests. There was the mystery and charm of
the complicated buildings one could make, with long passages and
steps and windows through which one peeped into their intricacies,
and by means of slips of card one could make slanting ways in them,
and send marbles rolling from top to base and thence out into the
hold of a waiting ship. Then there were the fortresses and gun
emplacements and covered ways in which one's soldiers went. And
there was commerce; the shops and markets and store-rooms full of
nasturtium seed, thrift seed, lupin beans and suchlike provender
from the garden; such stuff one stored in match-boxes and pill-
boxes, or packed in sacks of old glove fingers tied up with thread
and sent off by waggons along the great military road to the