the book aside. . . .

I hesitate and add here one other confession. I want to tell this
thing because it seems to me we are altogether too restrained and
secretive about such matters. The cardinal thing in life sneaks in
to us darkly and shamefully like a thief in the night.

One day during my Cambridge days--it must have been in my first year
before I knew Hatherleigh--I saw in a print-shop window near the
Strand an engraving of a girl that reminded me sharply of Penge and
its dusky encounter. It was just a half length of a bare-
shouldered, bare-breasted Oriental with arms akimbo, smiling
faintly. I looked at it, went my way, then turned back and bought
it. I felt I must have it. The odd thing is that I was more than a
little shamefaced about it. I did not have it framed and hung in my
room open to the criticism of my friends, but I kept it in the
drawer of my writing-table. And I kept that drawer locked for a
year. It speedily merged with and became identified with the dark
girl of Penge. That engraving became in a way my mistress. Often
when I had sported my oak and was supposed to be reading, I was
sitting with it before me.

Obeying some instinct I kept the thing very secret indeed. For a
time nobody suspected what was locked in my drawer nor what was
locked in me. I seemed as sexless as my world required.


5

These things stabbed through my life, intimations of things above