Apart from matters of style, Wace made other changes from Geoffrey's
narrative that are more important for Arthurian romance. He wrote the
_Brut_ under the patronage of Henry II, and, if we may trust Layamon's
statement, he dedicated it to Queen Eleanor, who was the ardent
propagator in England of the courtly ideals of southern France.
Accordingly Wace, perhaps partly because of his own milieu, partly
because of his royal patroness, wove into Geoffrey's narrative more
pronouncedly chivalric material. The lack of the courtly virtue of
mesure (moderation) that is noticeable in Geoffrey's Arthur, Wace is
careful to conceal; he gives, furthermore, a place to the descriptions
of love, which fill so many lines in the later romances, but which are
absent from Geoffrey's pages. Gawain, for instance, who is "valiant
and of very great moderation," declares that jesting and the delights
of love are good, and that for the sake of his lady a young knight
performs deeds of chivalry.[8] In addition to these changes, which
are to be attributed to his personal bent and surroundings, Wace also
makes it clear that he was conversant with stories of Arthur quite
independent of the _Historia_. Fables about Arthur he himself says that
he had heard, as we have seen, and from these he adds to Geoffrey's
narrative two that bear unmistakable signs of a Celtic origin, and
that were destined to become important elements in later romance; for
he gives us the first literary record of the famous Round Table, [9]
and the first definite mention in literature of the "hope of Britain." [10]

Wace is not to be regarded as one of the great contributors to our
knowledge of Arthurian legend, but without a familiarity with his
work, later French romance can scarcely be appreciated, so important
is his place as a delicate transformer of the story, the harsher
elements of which he veiled with the courtliness familiar to him,