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The Vanishing Man by R. Austin (Richard Austin) Freeman
page 12 of 369 (03%)
hedgerow.

In one of the gardens I noticed that the little paths were paved with
what looked like circular tiles, but which, on inspection, I found to be
old-fashioned stone ink-bottles, buried bottom upwards; and I was
meditating upon the quaint conceit of the forgotten scrivener who had
thus adorned his habitation--a law-writer perhaps, or an author, or
perchance even a poet--when I perceived the number that I was seeking
inscribed on a shabby door in a high wall. There was no bell or knocker,
so, lifting the latch, I pushed the door open and entered.

But if the court itself had been a surprise, this was a positive wonder,
a dream. Here, within earshot of the rumble of Fleet Street, I was in an
old-fashioned garden enclosed by high walls and, now that the gate was
shut, cut off from all sight and knowledge of the urban world that
seethed without. I stood and gazed in delighted astonishment. Sun-gilded
trees and flower-beds gay with blossom; lupins, snap-dragons,
nasturtiums, spiry foxgloves, and mighty hollyhocks formed the
foreground; over which a pair of sulphur-tinted butterflies flitted,
unmindful of a buxom and miraculously clean white cat which pursued
them, dancing across the borders and clapping her snowy paws fruitlessly
in mid-air. And the background was no less wonderful: a grand old house,
dark-eaved and venerable, that must have looked down on this garden when
ruffled dandies were borne in sedan chairs through the court, and gentle
Izaak Walton, stealing forth from his shop in Fleet Street, strolled up
Fetter Lane to "go a-angling" at Temple Mills.

So overpowered was I by this unexpected vision that my hand was on the
bottom knob of a row of bell-pulls before I recollected myself; and it
was not until a most infernal jangling from within recalled me to my
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